15th Annual New Years Day Auction

“From the bottom of my heart, thank you to our bidders, sellers, staff, and community. Your trust and support over the years are what make this auction possible. Being part of this tradition with you is something I’m truly grateful for.”
— Cash Seal, Auctioneer

AUCTION REMOVAL INFORMATION – PLEASE READ CAREFULLY

All item removal is by appointment only. Appointment is required.

How to Schedule Your Appointment:

1. Sign into your bidding account at NationalAuctionUSA.com
2. At the top, click "Account"
3. Click "Invoices"
4. Click "View" on the invoice for this auction
5. At the top, you will see a blue button that says "Schedule Your Pick Up Appt" - click this and pick a time

IMPORTANT: If you arrive without an appointment, we will NOT be able to check you out. We will have to schedule an appointment for you to come back.

Pickup Location: 3625 S 56th St West, Billings, MT 59101

Available Pickup Days:

• Friday, January 2nd: 11:00 AM – 6:00 PM
• Saturday, January 3rd: 11:00 AM – 6:00 PM
• Sunday, January 4th: 10:00 AM - 12:00 PM (noon)

Abandoned Items: Any items left beyond the scheduled pickup days will be considered abandoned. The card on file will be charged, and no refunds will be issued.

Payment Information: All bidding increments and payments are in U.S. Dollars (USD).

Accepted payment methods:

• Cash
• Credit Card
• Wire Transfer ($10 fee applies)
• Personal or company check with valid driver's license

All purchases must be paid for the day of the auction or during your scheduled pickup time.

Buyer's Premium: A 15.5% buyer's premium will be added to all purchases. A 3.5% discount will be applied for payments made by cash or check.

Loading Info: We will bring your items to the designated checkout area. However, you are responsible for loading your items into your vehicle. Please bring help if needed.

Final Reminder: Before leaving the checkout area, double-check that you have all your items. No refunds or replacements will be issued for missing items once you leave the premises.

Shipping & Payment Summary – Please Read Before Bidding

• Shipping is available but can be extremely expensive

• No shipping quotes are provided prior to auction close

Items That Are Especially Expensive to Ship

• Fragile items

• Heavy items

• Any item with a dimension over 24 inches

• Ammo

By Bidding, You Agree

• Buyer is responsible for 100% of all shipping costs

• Once a shipping quote is issued after the auction, it must be paid regardless of amount

• Bidding constitutes acceptance of all shipping and payment terms

General Shipping Terms

• In-house shipping via Shipping Saint

• Buyer pays all shipping, packaging materials, labor, handling, and duties

• Labor rate: $65 per hour

• National Auction is not responsible for damage during shipping

• Shipping typically completed within 1 week, but may take up to 2 weeks after payment

• Shipping invoices over $500 require wire transfer (+ $10 wire fee)

Gold & Silver

• Wire transfer is required for all gold and silver purchases

Firearms & Ammunition

• Firearms must ship to a FFL dealer when required

• Handguns: 2-day shipping

• Long guns: ground shipping,

• No firearms or ammo shipping to CA, NY, or DC

• Loose ammo will not be shipped — ammo must be in factory packaging

Large Items / Freight Shipping

• Buyer is responsible for arranging their own freight

• Palletization available at $65/hr + materials

  • $150 minimum charge

• Palletized items can be held for up to 2 weeks for freight pickup

• Freight and third-party shipping must be paid by wire transfer only

• Credit cards are not accepted for freight-related payments

Questions / Palletization Coordination

• 406-259-4730

Solid oak construction with distinctive glass ball and claw feet. Features a serpentine-edged top and lower shelf supported by elegantly turned spindle legs with bold bobbin turnings. The top showcases prominent quarter-sawn oak grain under a warm golden finish. Four legs terminate in decorative glass ball and claw feet, each secured with brass ferrules. The shaped lower shelf provides additional display or storage space. Original finish shows age-appropriate patina consistent with late 19th to early 20th century manufacture.

Condition Notes:

Overall great condition with normal wear consistent with age and use. Original finish intact with minor surface wear. Glass ball feet appear complete with no chips or cracks visible. Brass ferrules show expected tarnishing. Structure is solid and stable. Refer to the pictures and in person inspection for condition.

Dimensions:

Approximate Dimensions: 30 × 28 × 28 inches

Solid mahogany construction with original stenciled tablet. This antique wall clock represents an important period in American clockmaking history. Eli Terry (1772-1852) revolutionized clock manufacturing in the early 19th century by introducing mass production techniques to wooden movement clocks, making timepieces affordable for ordinary American households. His patented designs, particularly the pillar and scroll shelf clock introduced around 1816, transformed the industry and established Connecticut as the clockmaking capital of America.

This example was made and sold by Seth Thomas at Plymouth Hollow, Connecticut, as documented by the original label inside the case. Seth Thomas was originally a partner with Eli Terry and Silas Hoadley before establishing his own highly successful clock company. The production of clocks bearing the "Eli Terry Patent" marking by Seth Thomas indicates this piece dates to the transitional period of the 1820s-1830s when Terry's patents were still being used under license by former associates. The label indicates this clock was sold at Plymouth Hollow, which was renamed Thomaston in 1875 in honor of Seth Thomas.

The case features turned half-columns with black paint flanking the door, a shaped crest with black-painted ground and gold-stenciled foliate decoration, and original brass hardware. The hand-painted clock face displays Roman numerals with decorative floral corner spandrels in red, blue, and green, retaining its original steel hands. The lower door tablet features the patriotic eagle shield design with stenciled text reading "Patent Clocks, Invented by Eli Terry, Made and Sold at Plymouth Hollow, Conn. by Seth Thomas." Interior reveals the original printed directions label and weight-driven wooden movement mechanism with both weights present. The clock includes both a winding key and what appears to be the original door key with an antique coin or token attached to the bow, a charming period detail that may have served as an identifier or weight to keep the key with the clock.

Condition:

The reverse of the clock displays handwritten provenance notes documenting ownership history and repair dates including "new cords & Rept'd Sept 1, 1926," repairs from July 20, 1932, and June 4, 1934, providing documented history of care and maintenance over nearly a century. The case shows moderate wear consistent with approximately 190-200 years of age including finish loss and darkening, particularly visible on the crest decoration where the black paint shows significant wear and the gold stenciling is partially obscured.

The lower mirror glass tablet exhibits significant silvering loss, spotting, and deterioration of the reflective backing, though the patriotic eagle transfer decoration remains intact. The upper clock face door glass shows minor wear but remains in good condition with legible dial. One weight cord is currently detached and requires professional restringing before the clock can be operated. The movement has not been tested for functionality due to the detached weight cord - operational status unknown.

Original brass keyhole escutcheon and door latch remain present and functional. The original door key accompanies the clock with an antique coin or token attached through the bow, adding to the historical provenance and suggesting continuous ownership history. A winding key is also included. Black-painted half-columns show moderate wear, paint loss, and finish deterioration. The mahogany case displays minor scuffs, surface scratches, and finish inconsistencies throughout consistent with age and historical use. The original wooden dial surround shows age-appropriate crazing and minor paint loss. Both lead weights are present but one requires reattachment. Overall structural integrity remains sound with no cracks to the case or loose joints observed.

Refer to the pictures and in person inspection for condition.

Approximate Dimensions: 34 × 17.5

Solid quarter-sawn oak construction featuring graceful cabriole legs and two functional drawers. The rectangular top displays prominent ray flake grain pattern characteristic of quarter-sawn oak under original golden finish. Frame includes two drawers with applied molding and turned wooden pulls. Curved cabriole legs flow from apron to floor, connected by a shaped lower shelf with serpentine edges. All oak construction throughout with traditional joinery methods. Original finish shows warm honey patina consistent with early to mid-20th century American manufacture.

Condition Notes:

Two dark burn marks visible on top surface - one approximately 1 inch on front edge and one approximately 2 inches on top. Small chip to front edge of top near burn mark. Minor scuffs and surface scratches consistent with age and use. Lower shelf shows light edge wear. Drawers operate smoothly. Structure is solid and stable with no loose joints. Original finish intact with age-appropriate wear. Refer to the pictures and in person inspection for condition.

Dimensions:

Approximate Dimensions: 30 × 36 × 24 inches

Terra cotta ceramic sculpture signed "Renate Dorfman" to the underside. This organic modernist piece depicts a stylized female figure emerging from flowing, coral-like forms that envelop the central torso. The work exemplifies Dorfman's characteristic biomorphic style, blending human anatomy with natural elements in fluid, surrealistic composition.

Renato Dorfman (born 1971, Mexico City) is a Mexican sculptor known for his Maya-Caribbean Surrealism aesthetic, working primarily in ceramic and terra cotta. Trained by his ceramist uncle in Cancún during the mid-1980s, Dorfman developed his signature organic style influenced by Yucatán's jungle environment and Mayan cultural symbolism. His work has been exhibited internationally, including winning the gold medal at the 1997 Florence Biennale. Dorfman's sculptures appear in public installations throughout Mexico, including monumental works at Riviera Maya resorts and Mexico City's Parque Lincoln.

The sculpture features hand-modeled construction with undulating edges creating dimensional depth and movement. The textured surface shows variations in firing, with darker tones along the sculptural waves and lighter tones on the smooth central figure. At 16 × 28 × 8 inches, this represents a substantial sculptural work requiring significant technical skill and advanced ceramic craftsmanship. The base is signed in white paint or crayon reading "Renate Dorfman" (alternate spelling of Renato used by the artist).

Dorfman's established international credentials, including his Florence Biennale gold medal and exhibitions across Mexico, Europe, and North America. Gallery-sold Dorfman stone sculptures of comparable size command $3,000-$6,500 in Mexican galleries, though ceramic works typically realize 50% of stone sculpture values in the secondary market. The piece's substantial size, complex hand-modeled construction, and intricate biomorphic detailing demonstrate serious artistic merit beyond decorative production.

Condition:

Small chip missing from one coral-form projection on the left side when viewing the front. Hairline crack visible on underside extending approximately 2 inches from one of the hollow openings. Surface shows minor scuffs and light soiling consistent with handling and display. No repairs evident. Refer to the pictures and in person inspection for condition.

Approximate Dimensions: 16 × 28 × 8 inches

This 1979 Ford 600 series medium-duty truck features a Timpte Inc. manufactured aluminum box body and Ford v8 A370ci gasoline engine paired with a 4-speed manual transmission with overdrive. According to the manufacturer plates, the chassis was built by Ford in May 1979, with the box body manufactured by Timpte Inc. in June 1979. The vehicle has a GVWR of 19,500 lbs with a front GAWR of 5,500 lbs and rear GAWR of 14,200 lbs. VIN: N60AVFCQ566.

This truck has served a lifetime of service working for a local Montana home builder, hauling materials and supplies for residential construction projects across the region. The pride of ownership is evident in the recent investment of new tires and a fresh blue and white paint job, demonstrating the respect this working truck earned over decades of reliable service.

The Ford 600 series represented the backbone of America's medium-duty commercial fleet in the late 1960s, chosen by contractors and builders nationwide for their legendary durability and straightforward maintenance. The inline-6 engine became renowned for its ability to deliver consistent power and torque under heavy loads, while the 4-speed transmission with overdrive provided improved fuel economy on highway runs between job sites - a feature that reduced operating costs and engine wear over the truck's working life.

The aluminum Timpte box body exemplifies quality commercial construction, built to withstand decades of daily use. Timpte established their reputation manufacturing premium truck bodies known for longevity and weather resistance. The roll-up rear door operates smoothly, providing easy access for loading and unloading materials at construction sites.

The truck runs and drives well with excellent brake performance including fully functional emergency brake. This combination of proven Ford mechanical reliability and quality Timpte body construction created a work truck built to last generations.

Condition Notes

Cosmetic condition good for age. Interior shows wear from working service with torn seat upholstery and accumulated dirt, though cab structure remains sound. Box body shows a dent at the top and additional dents on side panels consistent with construction site use. Brakes work great including emergency brake. Roll-up door operates smoothly. Normal wear consistent with decades of construction service. Refer to the pictures and in person inspection for condition.

Multi-tool pocket knife manufactured by Victorinox of Switzerland exclusively for Tiffany & Co., clearly marked "TIFFANY & CO." on the main blade tang along with "925 + 750" and "STER + 18K" numerical designations. The knife bears additional markings "VICTORINOX SWITZERLAND STAINLESS ROSTFREI" confirming its Swiss manufacture. This special retail edition features stainless steel construction with the classic Victorinox shield emblem inlaid on both sides of the handle.

The knife includes three implements: a primary blade, a file/nail tool with textured surface, and scissors with spring-loaded mechanism. The Tiffany & Co. association represents a premium retail collaboration between the renowned New York jeweler and the Swiss knife manufacturer, making this a collectible example of branded merchandise from both iconic companies.

The knife shows moderate surface wear consistent with age and use, including scratching to the stainless steel body and general patina throughout. All three tools open and close smoothly, with functional springs on the scissors. The Victorinox shield remains intact with clear cross emblem. Surface finish shows tarnishing and light oxidation typical of vintage stainless steel tools.

This fixture is believed to have originated from the Gallatin Valley, Montana area, a region that experienced significant growth during the late 19th and early 20th centuries following the arrival of the Northern Pacific Railway in the 1880s. Towns such as Bozeman, Belgrade, and Manhattan supported numerous general stores, mercantiles, and confectioneries that served both local residents and travelers. During this era, candy was sold loose by weight from large glass display cases, with popular offerings including peppermint sticks, lemon drops, horehound drops, licorice, saltwater taffy, and various hard candies imported from eastern manufacturers. Children would press their faces against the glass to admire the colorful assortments, while proprietors used long scoops to measure portions into paper sacks.

This style of glass-front candy cabinet was a standard fixture in country stores and pharmacies throughout rural Montana, where bulk candies, tobacco products, and dry goods were displayed to attract customers while maintaining product freshness and protecting merchandise from dust and insects. The substantial construction and quality materials reflect the investment merchants made in durable fixtures that could withstand decades of daily commercial use in frontier communities.

Solid oak construction with twelve glass-front display bins designed for bulk candy merchandising. The cabinet features quarter-sawn oak throughout with mortise and tenon joinery. The crown molding is adorned with applied rope or bead detailing characteristic of late Victorian commercial fixtures, dating to approximately 1890-1910. Each bin is equipped with metal chain hardware that supports the hinged glass fronts when opened for access. The interior of each compartment shows beadboard paneling.

Secondary woods include pine in the back panel construction. The cabinet exhibits quality commercial cabinetry with sturdy frame and panel construction on the sides. The piece has been thoughtfully restored to preserve its structural integrity while maintaining original character.

Condition:

The cabinet is in very good condition for its age with evidence of professional restoration work. The top surface shows normal wear including light scratches and surface marks consistent with commercial use. Minor finish loss appears on high-contact areas. All twelve glass panels are present and intact. Overall structural integrity is excellent. The back panel exhibits several cracks and one section of bottom board damage as shown. Refer to the pictures and in person inspection for condition.

Approximate Dimensions: 76 × 17 × 54 inches

Vintage two-blade folding pocket knife commemorating the 1933 Chicago World's Fair with Coca-Cola advertising. Features cream-colored celluloid handle scales with red imprinted text reading "DRINK Coca-Cola 5¢ IN BOTTLES" on one side and "WORLD FAIR CHICAGO 1933" on the other. Handle secured with nickel-plated bolsters and three brass rivets. Steel blades marked "U.S.A." at the tang. This knife was produced as a promotional item during the Century of Progress International Exposition held in Chicago from 1933-1934, making it a desirable piece of both Coca-Cola and World's Fair memorabilia.

The knife shows normal wear consistent with its 90+ year age. Celluloid handles display light soiling and minor surface scratches. Both steel blades exhibit oxidation, rust spotting, and surface corrosion. Metal components show age-appropriate oxidation at the pivot points and springs. Blades open and close with moderate effort. Handle rivets remain secure. All markings remain clearly legible. Refer to the pictures and in person inspection for condition.

Traditional German Black Forest cuckoo clock featuring elaborate hand-carved wooden details throughout. The case displays intricate carving work depicting multiple birds, pine cones, foliage, and a hunting theme with what appears to be a rabbit at the base. The carved elements show characteristic Black Forest craftsmanship with deeply detailed featherwork and naturalistic forest motifs arranged in a tiered composition.

The clock face features Roman numeral hour markers on a cream-colored dial with ornate hands. The movement is marked "Regula 315 cm" on the backplate, indicating a Regula mechanism produced in Germany. The clock retains its original cast iron pine cone-shaped weights suspended on chains, which provide the mechanical power for both timekeeping and the cuckoo mechanism.

The carved wooden case shows a dark stained finish with age-appropriate patina. Construction appears to be traditional solid wood carving typical of Black Forest clockmakers. The movement represents mid-20th century German manufacture, as Regula was a prominent supplier of cuckoo clock movements from the 1950s through 1970s.

Condition: The clock "tick toks" indicating the movement attempts to run. Full functionality of the timekeeping, striking, and cuckoo mechanisms has not been verified. The carved case shows overall good condition with normal wear consistent with age and use. Minor surface wear to the finish is present. The chains and weights appear complete. Refer to the pictures and in-person inspection for condition.

Approximate Dimensions:

Traditional German Black Forest hunter's cuckoo clock featuring elaborate hand-carved hunting motifs throughout. The case displays deeply carved game animals and forest themes including a prominent three-dimensional stag head with antlers as the finial, flanking carved squirrels, carved oak leaves arranged in crossed branches, and additional oak leaf scrollwork surrounding the clock face. This hunting-themed design represents a premium category of Black Forest clockmaking. The carved wooden case shows a medium to light wood tone finish with naturalistic detailing characteristic of Black Forest craftsmanship.

The clock face features Roman numeral hour markers with applied numerals on a dark background with turned wooden bezel and brass hands. The dial is marked "Germany" indicating post-1950s production. The movement is marked "BACHMAIER KUCKENNUHR" and features a traditional brass plate mechanism. Bachmaier was a respected German clock movement manufacturer known for quality production. The case is constructed with solid wood housing and features a carved wooden owl pendulum below the clock door. The clock retains its original cast iron pine cone-shaped weights suspended on chains.

The movement shows markings including "25 1" and "G.M. 292" on the brass plates, indicating German manufacture. Based on the construction style, dial markings, and movement type, this clock dates to the mid-to-late 20th century German production period.

Condition: The clock "tic tocs" indicating the movement attempts to run. Full functionality of the timekeeping, striking, and cuckoo mechanisms has not been verified beyond basic movement operation. The carved wooden case shows overall good condition with normal wear consistent with age and use. Minor surface wear and some color variation to the finish is present throughout. The chains and weights appear complete. Refer to the pictures and in-person inspection for condition.

Approximate Dimensions:

A stunning example of late Victorian craftsmanship, this oak Princess dresser showcases the exceptional quality of turn-of-the-century American furniture making. The three-piece design features a base dresser with two spacious drawers, an attached side cabinet with single drawer and cupboard storage, and a tall beveled mirror frame crowned with elaborate hand-carved scrollwork.

Notable Features:

• Original beveled glass mirror in excellent condition
• Complete set of ornate brass bail pulls with decorative backplates - all original hardware intact
• Beautiful quarter-sawn oak construction displaying premium tiger grain figuring
• Hand-applied decorative carvings on mirror crest, side cabinet door, and posts
• Scrolled and shaped design elements throughout
• Historic provenance marking "S. Ghent KY" visible on back panel
• Compact footprint perfect for modern homes while maintaining period authenticity

Construction & Condition: Solid oak with traditional joinery methods. The warm honey-toned finish shows honest age patina that collectors desire. All drawers operate smoothly. Mirror glass is original and clear with characteristic beveled edges. Normal vintage wear consistent with 100+ years of careful use - no significant damage, breaks, or repairs. All original components present.

 Dimensions are approximately 44 x 22 x 80 inches.

Walnut weight-driven shelf clock manufactured by Birge & Fuller, Bristol, Connecticut. The case features architectural column-and-splat design with turned half-round columns flanking the dial and lower doors. The construction displays solid walnut with book-matched veneer panels and a three-tier projecting cornice with molded edges. Columns feature ring-turned capitals and bases mounted on plinth blocks.

The painted zinc dial features Roman numerals with hand-painted floral corner spandrels in pink and green on cream ground. Visible weight-driven movement with exposed gears behind the dial center. Two decorative doors feature reverse-painted glass tablets - the upper with geometric starburst pattern on teal ground, the lower with pendulum viewing window featuring blue border. The case interior retains original paper label with partial text visible: "...BIRGE & FU... manufactured and sold wholesale and retail" showing retailer information.

Birge, Mallory & Company operated in Bristol, Connecticut from 1838-1843, transitioning to Birge & Fuller from 1844-1848. This clock's style and label fragment indicate manufacture during the Birge & Fuller period, approximately 1844-1848. The company was known for producing both spring-driven and weight-driven shelf clocks during the transitional period when American clockmakers were shifting from wooden to brass movements. The architectural column design represents the temple-style cases popular during this era.

Condition:

The walnut case shows significant wear consistent with age. Surface finish worn and darkened throughout. Minor chips and edge losses to veneer, particularly at corners and base. The painted zinc dial shows substantial wear to painted decoration with large areas of loss at center where paper backing is exposed. Floral corner spandrels partially worn with areas of paint loss. Reverse-painted tablets show paint deterioration and flaking on both upper and lower doors. Interior paper labels heavily deteriorated with significant text loss and tearing, though maker identification remains partially visible. Case construction appears sound with original joinery intact. Weight present and appears original. Clock has audible tic tok indication of function but has not been fully tested for timekeeping accuracy, strike function, or long-term operation. Movement appears complete. Refer to the pictures and in-person inspection for condition.

Approximate Dimensions: 20 × 6 × 32 inches

Reproduction Diamond Dyes Cabinet. The colorful metal embossed lithographed image shows children playing with ribbons in a pastoral park setting. Solid oak construction with three interior shelves. Single door with porcelain knob. 

No noticeable damage.

Measures approximately 23 x 10 x 30.

Santo Domingo Pueblo mosaic inlay thunderbird necklace featuring traditional materials and design. The centerpiece displays a thunderbird pendant crafted using mosaic inlay technique with turquoise, jet (black), mother-of-pearl shell, and coral in geometric patterns. The thunderbird motif holds significant spiritual meaning in Pueblo culture, representing power, protection, and connection to the divine.

The pendant shows characteristic Santo Domingo craftsmanship with precisely cut and fitted stone pieces creating the bird's body, wings, and tail. Turquoise forms the central body area, while alternating white shell and coral create decorative banding on the wings. Jet outlines define the bird's form against the contrasting materials. The head features coral and turquoise mosaic work.

Strung on heishi beads hand-ground from shell, a traditional Santo Domingo specialty. White shell heishi forms the primary strand, interspersed with tab-shaped dangles along the sides. These tabs alternate between turquoise inlay on white shell bases and solid jet pieces, creating visual rhythm around the necklace. The heishi beads show the fine, uniform drilling and shaping characteristic of traditional Pueblo bead-making techniques.

Santo Domingo Pueblo (now known as Kewa Pueblo) in New Mexico has been renowned for generations for heishi bead work and mosaic inlay jewelry. This style of thunderbird necklace represents mid to late 20th-century Santo Domingo jewelry traditions, combining ancestral techniques with designs popular in the Native American jewelry market.

Condition:

Mosaic inlay thunderbird pendant intact with all stone pieces present. Turquoise shows natural matrix variations. Heishi beads show minor wear consistent with age and use. String appears to be original cotton or sinew cord with age-appropriate patina. All tab dangles present, alternating between turquoise-inlaid shell and jet. Minor surface wear to some shell components. No significant chips or losses to inlay work. Clasp closure functional. Refer to the pictures and in person inspection for condition.

Cast iron and brass beam scale manufactured by the Buffalo Scale Company. The scale features a red-painted cast iron base with decorative three-legged support design and raised "BUFFALO" lettering around the circular platform. The mechanism includes a central post supporting a rotating brass pan holder with adjustable beam arm. The brass graduated beam displays metric measurements from 0 to 100 and includes a sliding counterweight with thumbscrew adjustment. A large brass scoop-style weighing pan accompanies the scale.

The Buffalo Scale Company operated in Buffalo, New York during the late 19th and early 20th centuries, producing commercial and household scales. This counter-top model would have been used in general stores, pharmacies, or commercial settings for weighing bulk goods and merchandise. Construction features cast iron base components with applied paint finish, brass mechanical elements including the beam and pan holder, and a separate formed brass pan with rolled edge construction.

Condition Notes: consistent with age and use

 Approximate dimensions: 16x4x9

An antique Pearson’s Automatic Nailer, an early mechanical nail gun (circa 1908). Nails were gravity-fed from the top hopper into a chute, and a hammer blow on the plunger drove each nail.

Invention and Historical Background

The Pearson’s nailer was one of the first portable automatic nail guns, invented in the 1890s. Its creator, Erland Martin Pearson of Robbinsdale, Minnesota, was inspired by watching frustrated roofers struggle to hold and drive nails on steep roofsmnhs.org. Pearson, an immigrant from Sweden born in 1856, had begun his inventive career with a steam heating apparatus patent in 1892mnhs.org. That same year, he patented the earliest version of his nailer – initially conceived as a “carpet stretcher and tacker” device (U.S. Patent 467,864, granted Jan. 26, 1892)patents.google.comdatamp.org. Over the next few years, Pearson continued refining the concept into a true automatic nail-feeding hammer. By 1892–1895, he had developed a gravity-fed nailing tool that could automatically present nails for driving. Pearson claimed the idea “was inspired by watching exasperated roofers lining up nails on steep pitches,” prompting him to devise a labor- and finger-saving shingle nailermnhs.orgpopecountymuseum.wordpress.com. This odd-looking gadget – often called a “shingle nailer” or “automatic nailer” – had no parallel in its time, and contemporary ads touted it as a revolutionary time-saver for roofersrobbinsdale.org.

Pearson’s most successful model emerged in the 1900s. In 1906, he filed a patent for an improved shingle nailer (granted Jan. 7, 1908 as U.S. Patent 876,086)mnhs.orgdatamp.org. This design is considered the definitive Pearson’s Automatic Nailer and is credited with “effectively spawning the first [portable] nailing machine” in an era well before modern pneumatic nail gunswoodfloorbusiness.com. Pearson’s device predates the air-powered nail guns of the mid-20th century by decades, making it a true forerunner of automated nailing technology. It was manufactured by the Martin Pearson Manufacturing Co., Robbinsdale, and later by Pearson’s company (Pearson Mfg. Co.) from about 1908 through the 1910syoutube.comdatamp.org.

Manufacturer, Patents and Markings

The nailer was produced by Pearson’s Manufacturing Co. of Robbinsdale, MNdatamp.org. Early models of Pearson’s nailer bear patent dates cast into the handle. Known examples have “PEARSON’S NAILER” and multiple patent dates marked on themdatamp.org. Pearson’s initial patent was issued Jan. 26, 1892 (No. 467,864)patents.google.com, covering the basic mechanism of feeding tacks/nails and driving them – originally intended for carpet laying and analogous tasks. The company continued to improve the design through the mid-1890s. Patent dates Jan. 29, 1895 and July 9, 1895 are seen on some tools, indicating Pearson obtained additional U.S. patents that year (likely addressing refinements in the nail-feeding hopper and plunger mechanism). Finally, Pearson’s major “automatic shingle nailer” improvement was patented in 1906 (granted Jan. 7, 1908, Patent No. 876,086)datamp.org. The 1908 patent explicitly cites Pearson’s 1892 patent and adapts the earlier invention for handling and driving wire nails more effectivelydatamp.org.

Patent documentation reveals Pearson’s ingenuity. His 1908 patent, for example, describes a gravity-feed hopper that aligns nails point-down in guide slots, a spring-loaded plunger, and an escapement lever system to dispense one nail at a timedatamp.org【25†L140-L149**】. Earlier patents in the 1890s show Pearson experimenting with applications of the tool: one patent was geared toward shoe-nailing machines (for cobblers)patents.google.compatents.google.com, illustrating the versatility of his nail-feeding concept across trades. By the time of the “Pearson’s Automatic Nailer” marketed in the 1900s, the handle was cast iron with the inscription “PAT. Jan. 26–92 / Jan. 7–08” (referencing the 1892 and 1908 patents)brayco.com. Some earlier-production units list the 1892 and 1895 dates instead, reflecting the state of Pearson’s patent portfolio before the 1908 improvement. In all cases, these markings served to protect Pearson’s intellectual property and advertise the tool’s patented status.

Mechanical Design and Usage

Mechanically, Pearson’s nailer is a manual impact nail gun. It does not use compressed air or electricity, but rather a clever combination of gravity feed and a spring-return striking plunger. In operation, the user loads a supply of nails into the top hopper (magazine). The hopper’s interior is shaped with inclined floors and guiding ribs so that nails roll into vertical slots head-up (points downward)datamp.org. Gravity causes the nails to slide down a chute, essentially forming a queue of nails. At the bottom of the chute, the leading nail is held in a nail holder directly under the plunger. Pearson’s patents describe spring-steel jaws or clips that temporarily support the nail by its head until the moment of drivingpatents.google.compatents.google.com.

When the operator positions the tool over the workpiece and strikes the top plunger head with an ordinary hammer, the plunger (acting like a built-in hammer) drives the nail into the wood in one strokepopecountymuseum.wordpress.com. An internal coil spring then automatically retracts the plunger to its raised positionpatents.google.com. During the plunger’s brief descent and return, an ingenious feed control mechanism momentarily blocks the next nail in the chute from dropping (to prevent jams)patents.google.com. Once the plunger is back up, the block releases and the next nail drops into place below the plunger, ready to be driven on the next hitpatents.google.com. In this way, a roofer or carpenter can rapidly drive nails one after another by simply moving the tool and striking it repeatedly, without ever handling individual nailspatents.google.compopecountymuseum.wordpress.com. Contemporary descriptions boasted that “nails can therefore be driven into a surface as rapidly as the blocks can be struck on the plunger”patents.google.com – effectively increasing nailing speed and keeping the worker’s fingers out of harm’s way.

Intended use cases for Pearson’s nailer were primarily in roofing and similar carpentry tasks. It was often called a “shingle nailer” because it was marketed to drive the short wire nails used for wood shinglesdatamp.org. Roofers of the era typically had to grip small nails and risk hitting their fingers; Pearson’s tool let them keep one hand on the device and one on a hammer, greatly reducing that riskpopecountymuseum.wordpress.com. Advertising from the early 1900s emphasized that the Pearson’s Nailer not only saved time but also “saved your fingers” from being smashedrobbinsdale.org. In addition to wooden shingles, the nailer was useful for metal roofing and siding (e.g. driving nails with tin caps) and assembling crates or boxes – any job involving repetitive nailing of identical nails. The tool was produced in at least two sizes to accommodate different nails: a “BLUE” model for 3d (1¼″) common wire nails (14 gauge) and a slightly larger “RED” model for 3d galvanized nails (13 gauge)datamp.org. This color-coding suggests the tools may have been painted accordingly (indeed, surviving examples often have traces of blue or red paint), and it ensured the nails in the hopper matched the tool’s specifications.

Using the Pearson nailer required some practice: the hopper had to be kept filled with nails and occasional jostling might be needed to keep them flowing. Nonetheless, period users found that it greatly increased efficiency, especially for roofing. One historical account notes Pearson’s invention was unique – “there was nothing else like it” at the timerobbinsdale.org. It turned a two-handed, delicate process (holding a nail and hammering) into a safer one-handed operation. Essentially, Pearson’s nailer is a precursor to the modern hammer tacker or palm nailer, using muscle power but automating nail placement. It embodies a clever 19th-century solution to a common construction challenge.

Collectible Value and Rarity Today

Today, Pearson’s Automatic Nailer is a sought-after antique tool collectible, prized by tool enthusiasts and historians as an early example of a nail gun. Its value as a collectible depends on several factors, chiefly condition, completeness, and rarity. The tool was produced in the early 20th century in limited quantities (Pearson’s business operated into the 1910syoutube.com), and surviving examples are uncommon but not one-of-a-kind. Collectors especially covet nailers in excellent original condition – for instance, with original paint finish, legible patent markings, and the hopper and internal mechanisms intact and not rust-frozen. Some Pearson nailers even came with a leather-wrapped handle for grip, which if preserved, adds to value.

This vintage kerosene railroad lantern is manufactured by R.E. Dietz Company of New York, U.S.A., identified by the embossed markings on the clear glass globe. The globe features "DIETZ" in an oval cartouche along with "PAT'D MARCH 3-10-14" and "NEW YORK U.S.A." embossed into the glass. The fuel reservoir is marked "CRYSTAL" indicating a specific Dietz product line. R.E. Dietz Company, established in 1840, became one of America's leading manufacturers of railroad and industrial lighting equipment throughout the 19th and 20th centuries.

The lantern features a black painted sheet metal frame with tubular construction and wire bail handle for carrying or hanging. The protective wire guard cage surrounds the glass globe to prevent breakage during transport and use. The burner assembly includes the original wick mechanism with adjustment wheel. A perforated deflector cone sits atop the burner to protect the flame and direct heat. 

Black paint shows wear with surface rust and oxidation throughout the metal components, heaviest on the base and frame areas. The glass globe remains intact with no chips or cracks but shows interior residue and soiling from use. Cork stopper in fuel cap opening. Wire bail handle retains original finish with surface rust. Burner mechanism appears complete with wick adjustment wheel intact. Normal wear consistent with railroad or industrial use. Refer to the pictures and in person inspection for condition.

Step back in time with this authentic Shaw Walker card catalog cabinet, crafted from beautiful quarter-sawn oak with that distinctive tiger stripe grain pattern that made this wood so prized. This isn't a reproduction—it's the real deal from when office furniture was built to last generations.

What Makes This Special: Shaw Walker was a premier manufacturer of library and office furniture, and this cabinet showcases their commitment to quality craftsmanship. The quarter-sawn oak construction features gorgeous grain patterns throughout, and the dovetail joinery on the drawer construction speaks to old-world woodworking standards.

Configuration:

• 10 spacious drawers in a compact footprint
• Original brass hardware with card holder frames
• Each drawer features the classic brass pull and label holder
• Smooth-operating drawers with traditional card catalog dividers

Condition: This cabinet shows honest age and use that adds to its character. There is staining/discoloration on the top surface (visible in photos), and you'll find minor edge wear and finish variations consistent with a working piece of vintage furniture. All drawers operate smoothly, hardware is intact and original, and the structure is solid throughout.

Perfect For:

• Collectors of vintage library furniture
• Craft and sewing supply organization
• Jewelry storage and display
• Office supplies and small parts organization
• Unique home decor that's actually functional
• Anyone tired of flimsy modern furniture

Dimensions: 16 x 19 x 25 inches.

Early 1900s dry sink/washstand featuring beautiful quarter-sawn oak construction with prominent grain figuring throughout. Standout feature is the stunning cobalt blue tile backsplash (8 tiles in 4x2 configuration) that adds a pop of color and period charm.

Design Features:

• Decorative curved corbels supporting side shelving
• Built-in towel bar on side panel
• Original metal cabinet latch and hardware
• Single-door storage cabinet with interior shelf
• Solid oak construction with tapered legs

Condition: Displays honest age and use consistent with a 100+ year old functional piece. 

Dimensions are approximately 41 x 17 x 51 inches. Please note: there are hot pan marks on the granite top, and a missing back right corner.

Solid oak kitchen-style regulator clock manufactured by F. Kroeber, New York. The case features quarter-sawn oak construction with applied decorative elements including carved corner spandrels at the dial, incised scrollwork decoration on the crest, and chamfered pilasters flanking the glazed door. The case shows a medium golden oak finish typical of late Victorian American clockmaking.

The clock face features Roman numeral hour markers on a cream-colored paper dial with black printing and separate subsidiary seconds dial. The dial is protected by a nickel-plated brass bezel with convex glass. The movement is a spring-driven mechanism with visible coiled springs and brass gears, featuring a brass pendulum bob. A retailer's label inside the case reads "F. KROEBER, NEW YORK" with what appears to be a design diagram.

Florence Kroeber was a prominent New York clock manufacturer and retailer active from approximately 1863 to 1904, known for producing quality shelf and wall clocks. The company imported movements and manufactured cases, retailing through their New York showrooms. Based on the case style, oak construction, and dial design, this clock dates to approximately 1880-1900.

Condition: The clock "tic tocs" indicating the movement attempts to run. Full functionality of the timekeeping and striking mechanisms has not been verified beyond basic movement operation. The solid oak case shows overall good condition with normal wear consistent with age and use. Minor surface wear, light scratching, and age-appropriate darkening to the finish is present. The dial shows age-appropriate wear and some discoloration. The glass is intact. Includes winding key and pendulum. Refer to the pictures and in-person inspection for condition.

Approximate Dimensions: 28 × 9.5

Solid oak advertising clock featuring Calumet Baking Powder branding. The case is constructed with quarter-sawn oak showing prominent grain patterns and a medium golden oak finish. The case features applied decorative molding including reeded corner pilasters flanking the glazed door, chamfered cornice molding, and a decorative bracket base shelf with cutout supports.

The clock face features a distinctive 24-hour dial format with Roman numeral hour markers (I-XII) and Arabic numerals for the 24-hour outer ring (1-31, showing dates and extended hours). The dial is marked "MADE IN U.S.A." and features a cream-colored paper dial with black printing, protected by a nickel-plated brass bezel with convex glass. The hands include black hour and minute hands with red accent details, plus a red seconds hand and pendulum indicator.

The lower glazed section features reverse-painted black glass with gold lettering reading "TIME TO BUY / CALUMET / BAKING / POWDER / 'Best by Test'". This advertising glass panel would have been displayed in general stores, groceries, or restaurants to promote Calumet Baking Powder products. Calumet Baking Powder was a major American brand founded in 1889, and advertising clocks like this were common promotional items in the early-to-mid 20th century. The clock includes a brass pendulum bob and retains its winding key.

Based on the case style, 24-hour dial format, oak construction, and advertising design, this clock dates to approximately 1900-1930.

Condition: The clock "tic tocs" indicating the movement attempts to run. Full functionality of the timekeeping mechanisms has not been verified beyond basic movement operation. The solid oak case shows overall good to excellent condition with minimal wear. The finish remains in good condition with a rich patina. The advertising glass panel is intact with no cracks or damage to the lettering. The dial shows age-appropriate wear with minor discoloration. The glass is intact. Includes winding key and pendulum. Normal wear consistent with age and use. Refer to the pictures and in-person inspection for condition.

Approximate Dimensions: 38 × 16

Antique Hall's Evenkold Oak Icebox - Original Hardware - Vintage Kitchen Storage

Step back in time with this authentic Hall's Evenkold oak icebox, a beautiful example of early 20th-century American craftsmanship. Before electric refrigerators became commonplace, iceboxes like this were essential fixtures in American homes, and today they're highly sought after for their character and versatility.

Manufacturer & Construction:

• Made by Hall's Evenkold, a respected American refrigerator manufacturer
• Solid oak construction with beautiful grain throughout
• Raised panel door design showcasing quality craftsmanship
• Original nickel-plated hinges, latches, and hardware intact
• Metal manufacturer's nameplate present

Configuration:

• Two-door upper refrigeration compartment with multiple storage areas
• Lower ice compartment with separate access door
• Interior features white painted finish with wire shelving
• Multiple door configurations provide flexible storage options

Condition:

• Front and sides display good original finish with natural patina
• Original hardware functions properly
• Interior is clean and usable
• Back shows significant wear and finish loss (see photos)
• Sturdy construction remains solid

Modern Uses: These vintage iceboxes have become incredibly popular for repurposing as bar cabinets, bathroom storage, display cases, or unique kitchen pantries. The authentic vintage appeal adds character to any space while providing functional storage.

Dimensions of 33 x 18 x 48 inches.

Authentic early 20th century Sellers brand Hoosier cabinet manufactured in Kokomo, Indiana, featuring original branded metal tag. Constructed of solid oak with characteristic quarter-sawn grain patterns throughout. Two-piece design with upper and lower cabinets.

Upper cabinet features tambour roll-top door, three upper cabinet doors with decorative leaded or slag glass panels, interior shelving, and flanking side storage compartments. Central work surface includes pull-out extension with original white painted finish and black speckled enamel edge trim.

Lower cabinet base includes one cabinet door with interior shelf space and three working drawers with original glass knobs and white painted interiors. Turned front legs with metal caster cups (casters missing or damaged).

Original painted white work surfaces show age-appropriate wear, staining, and paint loss. Metal hardware intact.

Measures approximately 41 x 27 x 70 inches.

This lot features a Waltham pocket watch with elaborate engraved case and chain. The watch is housed in a gold-tone metal case with extensive floral and scroll engraving covering both the front and back covers. The case features engine-turned guilloché background patterns with overlaid botanical motifs including flowers, leaves, and scrollwork. The bezel and case back rim display decorative beaded edge details.

The dial bears the "Waltham" name prominently engraved in the center with ornate scrollwork decoration. The chapter ring features Roman numerals on alternating dark blue and gold segments with decorative flourishes between each numeral marker. Black spade hands indicate the time. The watch features a crown winder with decorative knurled grip. The substantial link chain appears to be base metal with aged patina and connects to the bow with a spring ring clasp.

The Waltham Watch Company of Waltham, Massachusetts was one of America's premier watch manufacturers, operating from 1850 to 1957 and known for quality mechanical movements.

CONDITION:

The watch shows age-appropriate wear throughout. The gold-tone finish on the case displays areas of wear, particularly on high points of the engraving and edges. The dial shows some light discoloration and aging. The crystal appears intact with minor surface scratches. The engraved floral patterns remain well-defined with good detail preservation. The chain shows tarnishing and oxidation consistent with age. Functionality of the movement has not been tested - the watch is sold as-is for parts or repair. The case opens and closes properly on the hinge. Refer to the pictures and in person inspection for condition.

This lot features an American Waltham Watch Company pocket watch housed in a gold-tone hunter case, serial number 6820516. The watch is marked with the Keystone Watch Case Company hallmarks and serial number 6820516 on the interior case. The case features beaded edge decoration around the bezel and decorative engraved monogram on the smooth polished front cover.

The ornate porcelain dial displays the "American Waltham" name with elaborate blue and gold decorative elements. Large Arabic numerals from 1-12 are featured in individual circular reserves on a light blue background with red diamond accents between each hour marker. The center dial features gilt scrollwork decoration with subsidiary seconds dial at 6 o'clock. Blued steel spade hands indicate the time.

The exposed movement is marked "American Waltham Watch Co." with "Safety Barrel" designation and serial number 5661121. The gilt brass movement features multiple jewel settings visible through blue-screwed plates. The Keystone Watch Case Company of Philadelphia was a major American case manufacturer, often housing Waltham movements in their quality cases.

Serial number 6820516 dates this Keystone case to approximately 1886 based on Keystone production records. The American Waltham Watch Company movement serial number 5661121 would require further research to determine exact production date and grade. Without visible gold content markings, the case material cannot be definitively determined and may be gold-filled or gold plate rather than solid gold.

CONDITION:

The watch shows age-appropriate wear consistent with a timepiece over 135 years old. The case displays surface scratching, minor denting, and wear to the high points of the beaded edge decoration. The engraved monogram remains clear and well-defined. The porcelain dial shows light discoloration and minor crazing but retains excellent detail in the decorative elements with no visible chips or cracks. The crystal appears intact with minor surface wear. The movement shows tarnishing and aging to the brass plates. Functionality of the movement has not been tested - the watch is sold as-is for parts or repair. The hunter case opens and closes properly on both front and back. Refer to the pictures and in person inspection for condition.

Victorian-era carved wooden wall clock by H.J. Newman & Son of Brighton. The case features elaborately carved mahogany or walnut with a rich dark finish showing reddish-brown tones. The decorative case displays deeply carved foliate scrollwork surrounding the dial opening, carved scroll supports flanking the lower tablet section, and applied carved shell ornaments. The lower section features a small glazed tablet opening with beveled glass and brass corner decorations.

The clock face is marked "H.J. NEWMAN & SON / 7, KING ST" at the top and "BRIGHTON" at the bottom, featuring Roman numeral hour markers on a cream-colored painted metal dial with black printing. The dial is protected by a brass bezel with convex glass. The dial shows a single winding arbor hole below center, indicating an eight-day time-only movement typical of English wall clocks.

H.J. Newman & Son was a clockmaker and jeweler operating from 7 King Street in Brighton, England. Brighton was a fashionable seaside resort town during the Victorian era, and local clockmakers like Newman catered to both local residents and visitors. The King Street location and elaborate Victorian carved decoration suggest this clock dates to approximately 1870-1900. The carved case style is typical of better-quality English wall clocks of the late Victorian period, often called "drop dial" or "dial and tablet" clocks.

Condition: The clock has not been tested for functionality. The carved wooden case shows overall good condition with normal wear consistent with age and use. The dark finish shows age-appropriate wear and patina. Minor surface wear and light scratching is present. The dial shows age-appropriate wear with some discoloration and minor paint loss. The glass appears intact. The pendulum is visible through the lower tablet opening. The carved decorative elements show minor wear but remain intact. Refer to the pictures and in-person inspection for condition.

Approximate Dimensions: 22 × 17

Oak construction throughout with secondary woods including pine and poplar. Features distinctive possum belly form with four dovetailed drawers arranged in two tiers - two shallow utility drawers over two deeper flour bin drawers. Top drawers retain original wooden pull-out bread boards on both sides. Hand-turned legs with ring and baluster detailing. Original porcelain label pulls remain intact on all drawers. Traditional oil or shellac finish with natural patina developed through use.

This possum belly baker's table dates to the late 19th to early 20th century and served as essential kitchen equipment in bakeries and farmhouse kitchens. The curved lower section provided easy access to flour storage while the bread boards facilitated dough preparation directly at the work surface. The turned legs and dovetailed construction indicate quality craftsmanship typical of American country furniture from this period.

CONDITION NOTES:

Surface shows moderate wear consistent with age and kitchen use, including scattered minor scratches and finish wear to the top. Deeper flour bin drawers exhibit interior staining from previous contents. All drawers function properly and hardware is intact. No cracks, structural damage, or repairs noted. Finish remains largely intact with honest patina throughout. Refer to the pictures and in person inspection for condition.

DIMENSIONS:

Approximate Dimensions: 30 × 46 × 26 inches

Oak construction throughout with secondary pine woods. Features classic side-by-side design combining upper secretary desk section with lower glass-front bookcase cabinet. Upper section includes hand-carved serpentine crest with acanthus leaf detail above shaped beveled mirror, two small dovetailed drawers with ornate brass bail pulls and escutcheons, slant-front writing surface with applied carved swag decoration, and fitted interior with multiple document compartments and single utility drawer. Lower section features double glass-panel doors opening to two adjustable shelves with beadboard backing, single base drawer with matching brass hardware, and shaped bracket base. All hardware appears original.

This side-by-side secretary desk dates to approximately 1890-1910 and represents the transitional period between Victorian ornate styling and simpler Arts & Crafts design. The combination secretary and bookcase form was popular in parlors and home offices, offering both workspace and display storage in a compact footprint. The dovetail joinery, quartersawn oak panels, and quality brass hardware indicate solid American factory production from this period.

CONDITION NOTES:

Mirror shows age-appropriate silvering loss and dark spotting around edges. Writing surface exhibits scattered ink staining consistent with use. Glass panels intact with no cracks. Small finish losses and edge wear consistent with age. All drawers and doors function properly. Refer to the pictures and in person inspection for condition.

DIMENSIONS:

Approximate Dimensions: 65 × 32 × 14 inches

Mahogany veneer over secondary pine construction. Features classic French Louis XV-style bombé form with serpentine curved front and sides. Single curved glass door opens to display interior with three glass shelves and burgundy damask fabric backing. Exterior ornamented with extensive gilt bronze ormolu mounts including foliate swags, rocaille corner mounts, floral cartouches, and decorative sabots on cabriole legs. Lower section features four hand-painted Vernis Martin-style panels depicting romantic pastoral scenes with figures in landscape settings, framed by applied ormolu borders. Domed top crown with additional ormolu gallery and decorative molding.

Marked "MADE IN SPAIN" on back panel, indicating 20th century Continental production in the French decorative style. Vernis Martin refers to the 18th century French technique of decorative varnish work imitating Asian lacquer, here reproduced through painted panels. This style of ornate display cabinet was popular throughout the 20th century for showcasing porcelain, crystal, and decorative objects in formal interiors.

CONDITION NOTES:

Glass door and shelves intact with no cracks. Ormolu mounts show minor wear to gilt finish consistent with age. Painted panels in good condition. Fabric backing shows light fading.  Minor scuffs consistent with age and use. Refer to the pictures and in person inspection for condition.

DIMENSIONS:

Approximate Dimensions: 64 × 25 × 11 inches

Ceramic or porcelain vessel sink featuring hand-painted decorative fishing motif. Basin interior painted in deep blue with multiple trout species depicted in naturalistic detail, including rainbow trout and brown trout in various poses. Exterior rim decorated in tan/beige tones with additional trout, fly fishing lures, and tackle imagery encircling the basin. Three brass faucet assemblies mounted through deck including center spout with ball finial handle and two side handles for hot and cold water control. Chrome braided supply lines with shutoff valves included.

Contemporary artisan piece designed for rustic, lodge, or sportsman-themed bathroom or powder room installation. Hand-painted decoration shows attention to detail in fish anatomy and coloration, appealing to fishing enthusiasts and collectors of sporting-themed home décor. Functional vessel sink requiring countertop or vanity mounting with appropriate drain assembly.

CONDITION NOTES:

Hand-painted finish in good condition with no visible chips or cracks to basin. Brass fixtures show natural patina. Supply lines and fittings appear functional. Minor wear consistent with light use. Refer to the pictures and in person inspection for condition.

DIMENSIONS:

Approximate Dimensions: 22 × 19 inches

Vintage style sign featuring Whiz Motor Rythym auto additive. Embossed metal. 14"x18"

This large industrial cabinet appears to have originated as a utilitarian commercial or workshop piece from the mid-20th century and has been professionally repurposed into a functional statement furniture piece. Industrial cabinets of this type were originally built for durability and daily heavy use, making them well suited for modern applications such as a kitchen island, bar, or retail display.

Constructed of wood with paneled sides and multiple barred front doors, the piece is topped with a thick epoxy-sealed surface featuring Montana-themed inlays. The top incorporates a flowing river motif and “Montana” lettering, creating a strong regional tie and a visually striking focal point while also providing a durable, food-grade work surface. During the repurposing process, the interior was professionally power-washed and cleaned and is reported to be brought up to food-grade quality. Heavy-duty casters allow for easy mobility, making this an excellent option for a movable kitchen island, home bar, tasting station, or commercial display. Hinged doors with metal hardware open to spacious interior shelving for storage and display.

Condition notes: The cabinet is intentionally finished with a distressed aesthetic and is in great condition overall. The distressing is purposeful and consistent, with wear patterns that enhance the industrial character rather than detract from functionality. The epoxy top shows minor surface marks consistent with use. Refer to the pictures and in-person inspection for condition.

Approximate dimensions: 71" W × 33" D × 40" H

Solid walnut construction throughout. The case features elaborate architectural styling with scrolled pediment crest topped with central finial and decorative carved rosette appliqué. Flanking half-columns feature hand-carved acanthus leaf capitals and turned baluster bases with raised panel pilasters. The cornice displays stepped molding with scroll brackets and applied carved oak leaf and acorn motif.

The glazed door with arched top reveals the brass weight-driven movement with two cylindrical brass weights suspended on chains and a large brass pendulum bob. The porcelain dial features Roman numeral hour markers with ornate center decoration and blued steel hands. The outer chapter ring shows minute markers with decorative flourishes. The case sits on a stepped base with projection shelf supported by carved scroll brackets and turned drop finial.

The movement includes winding arbors visible behind the dial and appears to be a time and strike configuration. The case back features carved acanthus leaf details continuing the ornate Victorian aesthetic. All glass panels appear to be original wavy glass typical of 19th century production.

This regulator-style wall clock represents typical Victorian-era American clockmaking from approximately the 1880s-1890s period. The elaborate architectural case with hand-carved details reflects the ornate aesthetic popular during that era. Without visible maker's marks, the specific manufacturer cannot be determined.

CONDITION:

The clock shows age-appropriate wear consistent with a Victorian-era timepiece. The walnut case displays normal wear, minor surface scratching, and darkening of the finish from age and exposure. One piece of the scrolled pediment crest shows repair or replacement with visible raw wood exposed on the left side scroll. The carved decorative elements remain intact with good detail preservation. The porcelain dial shows significant aging, discoloration, and wear with darkened areas particularly visible at the top. The original glass panels show minor surface scratching and aging but remain intact with no visible cracks. Brass weights and pendulum display tarnishing and oxidation. The clock movement appears operational with visible tick-tock motion and pendulum swing, though full functionality and timekeeping accuracy have not been tested. Winding key is included. Refer to the pictures and in person inspection for condition.

APPROXIMATE DIMENSIONS: 15''x 44''

Oak construction with distinctive octagonal case design. The dial is marked "The New Haven Clock Co. New Haven Conn." indicating manufacture by the prominent Connecticut clockmaker. The case features stepped octagonal bezel molding with carved scroll brackets at the lower corners. The lower pendulum case displays "REGULATOR" in gold lettering on black glass with decorative gold border.

The paper dial features large Arabic numerals from 1-12 with minute markers around the outer chapter ring and blued steel spade hands. The brass bezel surrounds the dial with convex glass crystal. The pendulum visible through the lower glazed door shows a large brass bob suspended on a black iron rod.

The case sits flat against the wall with simple profile and clean lines typical of late Victorian schoolhouse or office regulators. The movement appears to be a time and strike spring-driven mechanism based on the winding arbor configuration visible on the dial. Winding key is included.

The New Haven Clock Company of New Haven, Connecticut, operated from 1853 to 1960 and was one of America's largest clock manufacturers. This octagonal schoolhouse or office regulator style was popular from approximately 1890-1920 and was commonly used in schools, offices, and public buildings for timekeeping.

CONDITION:

The clock shows age-appropriate wear consistent with a regulator from the early 20th century. The oak case displays normal wear, surface scratching, and darkening of the finish from age and use. The finish shows varying tones with some lighter areas and general patina throughout. The carved scroll brackets remain intact. The paper dial shows light aging and discoloration but retains good legibility with no visible tears or losses. The "REGULATOR" glass panel remains intact with minor wear to the gold lettering. The crystal shows surface scratching and aging. The brass bezel displays tarnishing. The brass pendulum bob shows oxidation and surface tarnishing. The clock movement appears operational with visible tick-tock motion and pendulum swing, though full functionality and timekeeping accuracy have not been tested. Refer to the pictures and in person inspection for condition.

APPROXIMATE DIMENSIONS:

Height: 35 inches Width: 18 inches

Oak construction with rectangular case design. The paper dial is marked "Made by the E. Ingraham Co., Bristol, Conn. U.S.A." indicating manufacture by the prominent Connecticut clockmaker. The case features stepped cornice molding at the top and simple bracket shelf at the base with curved support brackets.

The paper dial displays an unusual calendar configuration with Roman numerals I through XII for standard timekeeping combined with Arabic numerals 1 through 31 around the outer ring for date tracking. The dial features blued steel hands for hours and minutes with a red calendar pointer. The brass bezel surrounds the large round dial. The lower pendulum case displays "REGULATOR" in gold lettering on black glass with decorative gold border.

The pendulum visible through the lower glazed door shows a brass bob with decorative engraved center suspended on a wooden rod. The movement appears to be a spring-driven mechanism with calendar function. Winding key is included.

The E. Ingraham Company of Bristol, Connecticut, was a major American clock manufacturer operating from 1857 to 1967. This calendar regulator style combining both time and date displays was popular in offices, stores, and public buildings from approximately 1900-1920. The dual display allowed businesses to track both time and date at a glance.

CONDITION:

The clock shows age-appropriate wear consistent with a regulator from the early 20th century. The oak case displays normal wear, surface scratching, and darkening of the finish with areas showing age-related patina. The stepped cornice and bracket supports remain intact. The paper dial shows moderate aging, discoloration, and staining with several spots visible across the face but retains good legibility with no visible tears. The "REGULATOR" glass panel remains intact with wear to the gold lettering. The glass panels show surface scratching and aging. The brass bezel displays tarnishing and oxidation. The brass pendulum bob shows surface tarnishing. The top will need glued back on. The clock movement appears operational with visible tick-tock motion and pendulum swing, though full functionality and timekeeping accuracy have not been tested. Refer to the pictures and in person inspection for condition.

APPROXIMATE DIMENSIONS:

Height: 35 inches Width: 17 inches

Oak construction with elaborate architectural styling combining clock, barometer, and thermometer functions. The case features ornate stepped cornice with turned baluster gallery railing topped by turned finials at each corner. Flanking half-columns with fluted shafts and turned capitals and bases frame the main clock face.

The clock dial features raised white porcelain Roman numerals applied to a walnut circular background with ornate pierced brass hands. The dial is set within a deeply carved arched panel with decorative molding. Below the clock face, a central thermometer tube marked "THERMOMETRE" and "CENTIGRADE" is recessed into the case. At the bottom, a circular barometer dial is marked "VARIABLE" with French weather condition indicators including "TEMPÊTE," "PLUIE," "VARIABLE," and "BEAU TEMPS" surrounding a visible aneroid mechanism.

The lower section terminates in elaborate carved acanthus leaf and scroll decoration forming a decorative drop pendant. The movement appears to be a spring-driven time and strike mechanism visible through the case back.

This style of combination weather station and clock was popular in Victorian homes from approximately 1870-1900, particularly in Europe where barometers were valued household instruments. The French labeling on the barometer suggests European manufacture or a clock designed for the French market. The elaborate architectural case styling reflects the ornate aesthetic of the Victorian era.

CONDITION:

The clock shows age-appropriate wear consistent with a Victorian-era piece from the late 19th century. The oak case displays normal wear, surface scratching, and darkening of the finish from age and exposure. Several of the white porcelain Roman numerals show chipping and losses, with multiple numerals damaged or partially missing. The turned baluster gallery elements remain intact. The carved decorative elements show good detail preservation. The thermometer tube non functional. The barometer mechanism is visible but functionality has not been tested. The brass hands show tarnishing. The clock movement appears operational with visible tick-tock motion and pendulum swing, though full functionality and timekeeping accuracy have not been tested. With key. Refer to the pictures and in person inspection for condition.

APPROXIMATE DIMENSIONS:

Height: 32 inches Width: 12 inches Depth: Approximately 5 inches

Walnut construction with circular top and short drop case. The upper section features a round bezel with stepped molding in walnut surrounding the large circular dial. The dial displays Roman numerals with minute track and blued steel spade hands. A brass bezel ring surrounds the convex glass crystal.

Below the dial, elaborately hand-carved grapevine and leaf decoration in high relief flanks each side of the drop case. The lower case features burled walnut veneer panel with small rectangular glazed opening revealing the brass pendulum bob. The base terminates in simple molded shelf profile.

The movement appears to be a spring-driven time and strike mechanism based on the two winding arbors visible on the dial.

This round drop or "teardrop" style wall clock with carved grapevine decoration was popular in American homes from approximately 1870-1900. The combination of walnut case with burled veneer panels and hand-carved naturalistic decoration reflects Victorian taste for ornate naturalistic motifs. These clocks were produced by various American manufacturers during this period.

CONDITION:

The clock shows age-appropriate wear consistent with a Victorian-era timepiece from the late 19th century. The walnut case displays normal wear, surface scratching, and darkening of the finish with varying tones throughout. The circular bezel shows visible cracks or separations in the wood near the top. The hand-carved grapevine decoration remains intact with good detail preservation, though shows wear and darkening from age. The burled veneer panel displays good figure with minor surface checking and wear. The paper dial shows moderate aging, discoloration, and scattered spotting throughout but retains good legibility. The glass shows surface scratching and aging. The brass bezel displays tarnishing. The movement shows signs of operation with audible tick-tock and swinging pendulum, but complete functionality has not been verified. No key. Refer to the pictures and in person inspection for condition.

APPROXIMATE DIMENSIONS:

Height: Approximately 24 inches Width: Approximately 15 inches

Quartersawn oak construction throughout with figured tiger stripe grain pattern. Features classic side-by-side design combining left glass-front bookcase section with right drop-front secretary desk. Left section has single glass door opening to interior with three adjustable shelves. Right section includes upper document compartment with multiple pigeonholes and small drawer slots, drop-front writing surface with lock, and lower storage cabinet with single paneled door. Rounded serpentine top with applied molding. Turned column details at corners and claw-and-ball feet on casters. All hardware appears original.

This side-by-side secretary bookcase dates to approximately 1900-1920 and represents the height of American golden oak furniture production. The combination bookcase and desk form was popular in parlors and home offices, offering both display storage and functional workspace in a single piece. The quartersawn oak with prominent ray flake and tiger stripe figure, quality turned details, and substantial construction indicate solid factory production from this period.

CONDITION NOTES:

Upper document compartment missing several shelf divider pins. Backsplash/gallery top requires reattachment. Glass door and writing surface function properly. Casters operational. Original finish with minor wear consistent with age. Refer to the pictures and in person inspection for condition.

DIMENSIONS:

Approximate Dimensions: 54 × 54 × 14 inches