15th Annual Montana Fall Auction

Yawman & Erbe Mfg. Co. (Rochester, N.Y.) quartersawn oak sectional stacking file cabinet, c. 1905–1920, with a brass maker's plate. It comes in seven stacking pieces: a base, four drawer sections, a top file section, and a removable molded top cap. The top section has five tall hinged-front file compartments, each with a brass card-holder frame and a long brass pull. Below are four drawer sections: one row of three wide drawers, then three rows of four card-file drawers. The card-file drawers have their original working card rods. The brass hardware appears original throughout, including label holders and pulls stamped with the "Y and E" logo. The cabinet stands on a base with square tapered legs and a plain apron. Because the pieces are modular, it can be moved in sections or reconfigured. It works well as office, library, or collector storage.

Condition:
Overall Great Condition. There is light finish wear, minor scuffs, and edge wear consistent with age and use. Refer to photos and in-person inspection for condition.

Approximate Dimensions:
Base: 19 × 33 × 17 inches
Drawer sections (4): 5 × 33 × 17 inches each
Top section: 19 × 33 × 18 inches
Assembled height: approximately 58 inches plus the top cap

Industrial steel carpet pole attachment for a forklift, manufactured in 2018. It measures 150 inches overall and is rated for 1,200 lb at a 72-inch load center. The attachment weighs 444 lb, according to the data plate. The heavy steel mounting bracket hooks onto a standard forklift fork carriage, letting the forklift lift and move carpet, vinyl flooring, textile, and paper rolls, as well as coils with hollow cores. The data plate includes part no. 6173253R3 and serial no. SPR2384929-1-R. It's a practical attachment for flooring businesses, warehouses, and distribution operations.

For 12ft and 15ft Rolls

1979 Harley-Davidson FXEF-80 Fat Bob Super Glide, VIN 6E55581H9, with 80 cubic inch (1340cc) Shovelhead V-twin engine. The 6E model code and H9 year code on the frame stamping match the factory FXEF-80 designation. This is a barn find that has not been ridden in some time, and it sells with a clear title.

The bike has black dual Fat Bob tanks with a center dash console holding a combination speedometer/tachometer and a keyed Lights/Ignition/Off/Accessories switch with choke and indicator lights. Both tanks have gold-tone H-D Eagle emblem caps. Other features include:

• Tall ape hanger handlebars with braided stainless cables
• S&S Super B carburetor
• LePera two-up seat
• H-D Eagle "Made in USA" emblem cover on the right side
• Dual staggered shotgun exhaust
• Wire-spoke wheels with front and rear disc brakes
• Brake calipers with eagle-emblem covers
• Chrome-style primary and derby covers
• Front fork bag
• Jiffy stand

A group of extra parts is included. It has an additional pair of black tanks, one with gold Harley-Davidson script. It also has black fenders, a headlight housing, carburetor components, twin speedometer/tachometer gauges, a tire with its original label still attached, and assorted hardware.

Condition:
Not driven prior to sale. Running and operational condition have not been verified. Mileage reads 4,948.9 but is not verified and is assumed unknown.

The front tire is in good condition. The rear tire is older, with dry rot and sidewall cracking, and should be replaced before riding. The bike presents well overall, with wear consistent with its age and storage. There is surface rust on the rims, spokes, rear brake components and exhaust. The chrome shows light pitting, and the primary cover finish is flaking. The paint has minor scratches and chips. The fork bag is worn, and there is dust from storage throughout. The extra parts show wear and storage grime consistent with age. Refer to photos and in-person inspection for condition.

Salt-glazed stoneware construction with a grey/beige body. Marked with a cobalt blue "3" capacity number and a red wing motif above an oval maker's stamp reading "RED WING UNION STONEWARE CO." Rolled rim with applied glaze drip consistent with period salt-glazing technique. Antique, early 20th century, circa 1900s–1920s.

Condition Notes:
Overall good condition. No chips, cracks, or losses observed in the photo provided. Minor surface staining consistent with age and use. Refer to the pictures and in person inspection for condition.

Quartersawn oak drop-front secretary desk, c. 1900–1915, with strong ray-fleck figure throughout. At the top are two fold-down compartments with brass knobs, flanked by carved scroll volutes. The drop front is decorated with an applied carved wood scroll-and-oval ornament and a brass escutcheon. It opens on a chain support to a writing surface and a fitted interior with pigeonholes, a central arched compartment, a small drawer, and a shaped apron. The side pilasters have carved oval sunburst panels. Below is a cabinet with two glass doors and a keyed lock. The desk rests on turned bun feet. Its shallow depth suits smaller rooms and entryways.

Condition:
Overall very good condition with no damage. There is light finish wear consistent with age and use. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 51 × 35 × 11.5 inches

Arts & Crafts Mission-style rocking chair, c. 1905–1920, in quartersawn oak with visible ray-fleck figure. The back has an arched crest rail over three wide, gently flared slats. The flat arms are broad and rest on square front posts. The seat is upholstered in brown faux leather and sits in a slab-sided frame with a front apron. The chair rests on long rockers.

Condition:
There is light finish wear and minor scuffs consistent with age and use. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 35 × 27 × 22 inches

Cast iron store counter scale by the Perfection Scale Co. of Philadelphia, c. 1900–1920, with the maker's name cast into the front of the housing. It has a brass beam graduated 0 to 16 ounces, with a sliding brass poise. The weight housing is a tall, enclosed cast iron cabinet topped with a notched, arched carrying handle. The pan cradle is cast iron and holds an aluminum scoop. The base has a footed cast iron frame, and the whole scale is finished in brown paint. Scales like this were used in general stores for weighing candy, coffee, spices, and bulk goods.

Condition:
There are paint chips and wear throughout, with red undercoat showing in spots, and light surface wear to the brass beam, consistent with age and use. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 12 × 15 × 8 inches

Large hand-carved wooden dough bowl, or trencher, c. early 1900s, carved from a single piece of wood. It is an oblong, boat form with extended handles at each end. Hand-hewn tool marks show clearly on the underside and sides. The wood has a dry, weathered, bleached patina. Inside are two old round tin patches, nailed in place as period repairs, which add to the bowl's primitive character. The bowl works well as a centerpiece, for farmhouse or primitive décor, or for display with greenery or seasonal arrangements.

Condition:
There are two nailed tin patch repairs inside the bowl. There are age cracks, splits, and small edge losses along the rim and ends, and the wood is dry and weathered with surface wear, staining, and small holes, consistent with age and use. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 9 × 35 × 17 inches

Stromberg-Carlson Telephone Mfg. Co. (Rochester, N.Y.) oak crank wall telephone, c. 1905–1920, with the maker's nameplate on the front. It has a single-box oak case with twin black ringer bells on top. A black transmitter is mounted on an adjustable arm in the center of the case. The receiver hangs on a side hook and has a cloth-covered cord. The magneto crank is on the right side, and a slanted writing shelf sits at the base.

Condition:
The receiver cord is frayed, with exposed wire and worn cloth covering. There is finish wear and minor scuffs on the case, and light wear on the writing shelf, consistent with age and use. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 17.5 × 9 × 9 inches

E. Schmeckenbecher Black Forest cuckoo clock, made in Germany, c. 1950s–60s, in the classic leaves-and-bird style. It has a one-day movement with a music box and three pinecone weights. The dark-stained wood case is carved with maple leaves on the sides and a bird with spread wings on top. It has a small cuckoo door above a dial with Roman numerals and carved hands. A leaf-carved pendulum hangs below. 

Condition:
The consignor reports the clock has been cleaned, serviced, and refurbished, and that it cuckoos on the hour and half hour and is in good working order. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 12 × 9 × 5 inches

Heco (Henry Coehler Co.) Black Forest cuckoo clock, made in Germany, c. 1950s–60s, in the classic leaves-and-bird style. It has an eight-day movement with two pinecone weights. The dark-stained wood case is carved with maple leaves on the sides and a bird with spread wings on top. It has a small cuckoo door above a dark dial with white Roman numerals and light-colored carved hands. A leaf-carved pendulum hangs below. 

Condition:
The consignor reports the clock has been cleaned, serviced, and refurbished, and that it cuckoos on the hour and half hour and is in good working order.

Approximate Dimensions: 12 × 9 × 5 inches

Hubert Herr Black Forest cuckoo clock, made in Germany, c. 1950s–60s, in the classic two-bird-and-leaves style. It has an eight-day movement with two pinecone weights. The dark-stained wood case is carved with maple leaves and two birds with spread wings, one on the rooftop crest and one below the dial. It has a small cuckoo door above a black dial with white Roman numerals and light-colored carved hands. A pendulum hangs below. 

Condition:
The consignor reports the clock has been cleaned, serviced, and refurbished, and that it cuckoos on the hour and half hour and is in good working order. Hubert Herr of Triberg is one of the oldest and best-known Black Forest cuckoo clock makers. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 21 × 10 × 8 inches

Cuckoo Clock Manufacturing Company Black Forest cuckoo clock, made in Germany, c. 1950s–60s, in the classic leaves-and-bird style. It has a one-day movement with two pinecone weights. The dark-stained wood case is carved with maple leaves on the sides and a bird with spread wings on top. It has a small cuckoo door above a black dial with white Roman numerals and light-colored carved hands. A leaf-carved pendulum hangs below. 

Condition:
The consignor reports the clock has been cleaned, serviced, and refurbished, and that it cuckoos on the hour and half hour and is in good working order.

Approximate Dimensions:

12x9x6

Patinated bronze sculpture depicting three pintail ducks taking flight from marsh grass, mounted on a green enameled steel oval base (rather than the green marble base used on the authorized edition). This is "Sharing the Habitat" by wildlife artist David Maass, originally commissioned by Ducks Unlimited for their 70th Anniversary (2007) in a limited edition of 500. A period paper label affixed to the base reads "Sharing the Habitat, By David Maass, Ducks Unlimited 70th Anniversary, 67/500." The base also bears a hand-written inscription reading "NOT APPROVED BY: MT Silversmiths, Ducks Unlimited, David Maass."

Per consignor's account (unverified by NAU): the consignor worked at Montana Silversmiths, the company commissioned to produce this bronze edition, from 2004–2015. The first 100 cast statues shipped to Montana Silversmiths for inspection were found to have been mounted in error on green enameled steel bases rather than the intended green marble bases. These 100 flawed pieces had their brass plaques removed and were distributed to production employees rather than sold as part of the official sanctioned edition. This example is identified by the consignor as number 67 of that group of 100 flawed statues — distinct from its "67/500" edition number on the paper label, which reflects the standard edition numbering system rather than the flawed-batch count. The bronze casting itself bears no artist name, initials, or date markings.

Condition Notes:
Brass plaque is not present (per consignor, removed at the factory prior to distribution; a nail hole/reattachment point is visible where the plaque was reportedly reattached after being chewed by the consignor's dog, then lost again). No chips, cracks, or losses observed to the bronze casting itself in the photos provided. Green enameled steel base shows wear consistent with age and handling. Refer to the pictures and in person inspection for condition.

Approximate Dimensions: 19 × 14 × 8 inches

Round electric advertising sign for Old Milwaukee Beer, made by Everbrite of Greenfield, Wisconsin, a longtime maker of brewery and commercial signage. The plastic face is red with a tone-on-tone damask pattern, with "Old Milwaukee" in white serif lettering and "Beer" below. Around the lower edge runs the brand's slogan "It doesn't get any better than this," used in Old Milwaukee advertising during the 1980s and 1990s. The face is ringed by a white scroll-pattern border and a gold-tone rim. The sign lights when plugged in. The original Everbrite manufacturer's label is present and rated 120V AC, 60 Hz, 2 amps maximum.

Condition:
Good overall condition, with no cracks to the plastic. The cord is in good condition. There is light surface grime on the rim and white border, mostly along the lower edge. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 21 inches diameter × 4 inches deep

Electric advertising sign for Keystone Beer, shaped as an oversized half-round 12 fl. oz. beer can with a flat back for wall mounting. Everbrite of Greenfield, Wisconsin made it for the Coors Brewing Company of Golden, Colorado, and the Coors property label on the back is date-stamped January 23, 1991. The plastic face reproduces the early Keystone can design, which has a snow-capped mountain scene above a red "Keystone" banner. Below the banner are "Cold-Filtered Premium Beer" text and the round "Specially Lined Can / Quality Bottled Beer Taste" seal. The top and bottom rims are silver-tone to mimic a can. Coors introduced Keystone in 1989, which makes this an early piece of the brand's advertising. The sign lights when plugged in. The UL "Indoor Electric Sign" label and the Everbrite manufacturer's label are present, rated 120 volts, 2 amps maximum.

Condition:
Good overall condition, with no cracks to the plastic face. The cord is in good condition. The Coors label on the back has tape over part of the text, with some wording obscured. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 27 × 13 × 6 inches

Matching pair of porcelain hanging swag lamps with a mid-century modern drum-and-dome form. Each lamp is glazed in mustard yellow with black banding and textured gold-tone bands. The drum is decorated with raised pyramidal studs and a band of pierced circular openings, and a central band of cut-out triangular windows is backed by a white inner diffuser that casts a geometric light pattern. The domed tops taper to a black-glazed finial with a hanging loop. Each lamp has a single socket and comes with its hanging chain and cord.

Condition:
The glaze on the lower rims is worn, with speckled scuffing visible from underneath. Light surface wear consistent with age. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 20 × 15 × 15 inches (each)

Cast iron construction throughout, a wood/coal-burning cookstove with a flat cooktop surface, front firebox door, lower warming/ash compartment with hinged doors, and a stovepipe collar at the rear. Marked with a cast maker's plate reading "THE AUTO STOVE WKS. — NEW ATHENS, ILL." Auto Stove Works of New Athens, Illinois produced cast iron cook and heating stoves through the early-to-mid 20th century. Antique to vintage, exact era not confirmed from visible markings.

Condition Notes:
Surface rust and expected oxidation to the cast iron consistent with age. Legs appear supported/shimmed with a wood block in the photo (for leveling or display; not original to the stove). No cracks observed in the visible casting, though full structural condition (firebox, grates, interior) was not assessed from photos. Untested for function. Refer to the pictures and in person inspection for condition.

Approximate Dimensions: 24 × 19 × 26 inches

Quartersawn oak slant-front secretary desk, c. 1900–1915, with strong ray-fleck figure throughout. At the top is a mirrored gallery with scrolled side supports under a carved crest of shell and leaf scrolls. The slant front has a brass escutcheon and opens to a writing surface and a fitted interior with pigeonholes, two small drawers, and a center cubby. Below are three serpentine-front drawers, each with brass ring-and-loop pulls and a keyhole. The base has a shaped apron and stands on cabriole legs ending in carved paw feet. Its compact size suits a bedroom, entryway, or small office.

Condition:
Overall great condition. There is light finish wear consistent with age and use. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 55 × 29 × 17 inches

McCoy Pottery 14-inch stoneware mixing bowl, c. 1970s, marked "Ovenproof McCoy USA 14" on the base. It has a cream glaze with a brown and white banded stripe near the foot and a raised rolled rim. The unglazed base has concentric rings. It's a large, useful size for bread dough, batters, or serving, and it's also a good fit for farmhouse kitchen display.

Condition:
There are light surface marks, residue, and minor glaze wear on the exterior, along with light utensil marks and staining consistent with use. The unglazed base shows wear. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 7 × 14 × 14 inches

3-gallon salt-glazed stoneware crock with a blue stamped crown and "3" gallon mark, the style associated with Robinson Ransbottom Pottery of Roseville, Ohio, c. 1920s–50s. It has an off-white glaze, straight sides, a rolled rim, and an unglazed rim and base. The capacity number "3" is also impressed near the base. It's a useful size for fermenting, pickling, kindling, utensil storage, or farmhouse décor.

Condition:
There is a shallow chip on the outer edge of the rim, plus small flakes along the rim. There are glaze flaws, kiln specks, and staining inside and out, along with surface wear consistent with age and use. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 11.5 × 10.5 × 10.5 inches

Quartersawn oak side-by-side secretary desk, c. 1900–1915, with strong ray-fleck figure throughout. On the left is a tall bookcase with a clear glass door and multiple interior shelves, topped by a carved crest with a center shell motif and scrolled leaf carving. On the right, a beveled mirror in a shaped oak frame with carved scroll accents sits above a small shelf. Below the mirror is a drop-front writing surface with a brass escutcheon. It opens to an interior fitted with pigeonholes and a lower shelf. Under the desk section are a drawer and a paneled cabinet door. The back is closed with dark-stained plank backboards, and the piece rests on short legs with casters.

Condition:
Overall good condition and structurally sound. There is general finish wear, light scuffs, and edge wear consistent with age and use. The writing surface and interior pigeonholes show surface wear. The backboards have gaps from wood shrinkage, and the finish on the back is worn. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 69 × 36 × 10

Mid-century modern china hutch by Stanley Furniture, c. 1960s, in a walnut-tone finish with a signed "Distinctive Furniture by Stanley" stamp. The drawers are built with dovetail joinery and oak-appearing secondary wood. The upper case has a pair of sliding glass doors over an interior with two shelves per side, above a plain frieze band. The lower case has three center drawers with round metal pulls, flanked by two cabinet doors with round metal knobs. Each door is decorated with inlaid contrasting veneer in tapered accents. The piece stands on a rectangular leg frame with a low stretcher and capped feet, and is one-piece construction.

Condition:
The right sliding glass door is broken, with a small section missing at the lower right edge and sharp exposed edges. There is general finish wear, light scuffs, and edge wear consistent with age and use. The drawer tops show wear along their edges. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 66 × 54 × 18 inches

Wooden child's three-wheel ride-on toy, c. 1940s–50s. It has a flat, shaped seat board with a turned wooden steering post and T-bar handle, which turns the single front wheel. Two rear wheels are mounted on a shaped wooden bracket frame. All three wheels are solid wood with red paint and metal axle hardware. It's a good fit for a toy collector, a nursery display, or a toddler's first ride with supervision.

Condition:
There is finish wear, scuffs, and edge wear on the seat and frame. The red paint on the wheels is worn and has losses, and the wood is darkened from handling, consistent with age and use. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 20 × 19 × 10.5 inches

Country cupboard, c. 1860–1890, believed to be pine, with warm aged color and visible grain. The top has a three-sided gallery backsplash with shaped, scrolled ends. Below are two dovetailed-style drawers with turned wooden knobs and keyholed fronts. Two raised-panel doors with turned wooden knobs and a turn latch open to an interior with one fixed shelf. The cupboard rests on turned bun feet. It is sized for use as a kitchen server, entry cabinet, or washstand.

Condition:
In very good condition for its age. The top has a small dark stain on the right side, along with light water marks and minor scratches. There is light finish and edge wear consistent with age and use. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 48 × 43 × 18.5 inches

Victorian Renaissance Revival dresser, c. 1870s, in walnut with applied burl walnut veneer panels. The drawers are built with pin-and-scallop (Knapp) joinery, a machine dovetail method patented in 1867 and used through about 1900. The top has two raised handkerchief (glove) boxes with small drawers, framed by a stepped center platform. Below are four graduated full-width drawers. Each drawer front is decorated with three shaped, applied burl walnut panels and has a keyhole. The pulls are ebonized teardrops on pressed brass Eastlake-style backplates. The case has flanking pilaster stiles and a molded plinth base.

Condition:
In very good condition for its age. There is light finish wear and minor scuffs consistent with age and use. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 43 × 39.5 × 18 inches

Seth Thomas cottage shelf clock, c. late 1890s, in a case believed to be rosewood veneer, with an eight-day movement that strikes on the hour. The case has a molded door frame on a stepped plinth base. The painted dial has black Roman numerals, a brass center, and black hands. Below the dial is a reverse-painted glass tablet with a seashell design in an oval reserve. The key and pendulum are included. The consignor reports the clock was recently serviced, strikes on the hour, and is in good working order.

Condition:
The consignor reports the case has been repaired. The dial has paint loss near 12 o'clock and general wear. There is finish and veneer wear consistent with age. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 15 × 10 × 5 inches

New Haven Clock Co. (New Haven, Conn.) "Nero" oak parlor clock, c. early 1900s, with its original paper label inside. The label identifies an eight-day rack-and-snail movement that strikes on the half hour on a cathedral gong. The oak case has a carved, fretwork-style crest with scrolled finials above a molded cornice. Carved capitals top the turned and fluted side columns. There is a spindle gallery below the dial, and the case sits on a stepped base. The dial has black Arabic numerals and a brass bezel. The key and pendulum are included. The consignor reports the clock was recently serviced.

Condition:
The oak case is in good condition with light finish wear consistent with age. The dial shows aging, toning, and wear. The original paper label is intact, with minor edge wear. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 16 × 12 × 8 inches

Black enameled metal case, believed to be cast iron, with gilt-finish metal mounts in scrolling Rococo-style foliate designs at the crest, sides, apron, and four scrolled feet. The case follows the arched, serpentine profile of the Ansonia Clock Company's "Amiens" model, produced in Brooklyn, New York, around 1904. The cream dial has black Arabic numerals and an ornate brass center medallion, framed by a decorated brass bezel with glass. Two winding arbors indicate a time and strike movement. The key and pendulum are included. Ansonia was one of the largest American clockmakers of the late 19th and early 20th centuries, and its iron-cased mantel clocks remain a staple of American clock collecting.

Condition:
Gilt mounts show toning and wear to the finish, and the case shows light surface wear consistent with age. The consignor reports that the clock runs and strikes. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 10 × 14 × 6 inches

Tambour-style (camelback) mantel clock with a dark mahogany-finish case, believed to be mahogany veneer. The plinth base is inlaid with a lighter-wood fan or sunburst motif characteristic of the Art Deco period. The New Haven Clock Company made it in New Haven, Connecticut; the consignor identifies the model as the "Gamma." The cream dial has black Arabic numerals and the New Haven logo at the twelve position, set behind a brass bezel with glass. It has a Westminster chime movement with multiple winding arbors. The consignor reports a self-correcting chime and says the clock was recently serviced. The key and pendulum are included.

Condition:
The case shows light surface wear consistent with age. The consignor reports that the clock was recently serviced and runs and chimes. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 10 × 21 × 6 inches

Walnut veneer vanity dresser, c. 1920s–30s. A large shaped mirror in a molded frame is mounted on scrolled supports above the top. Two raised side boxes each hold a small drawer. Below is one full-width drawer with two cast brass-tone pulls and an applied carved leaf ornament at the center, lined with vintage floral paper. The base has a carved apron medallion and stands on turned legs. It works as a bedroom dresser or as a dressing table with a bench.

Condition:
There is finish wear, fading, and light scratches on the top. There is general veneer and edge wear and minor scuffs consistent with age and use. Refer to photos and in-person inspection for condition.

Approximate Dimensions: 67 × 44 × 18 inches

2003 Ford Focus SE sedan featuring a white exterior and gray interior. Powered by a 4-cylinder engine paired with an automatic transmission. Equipped with power windows, power locks, air conditioning, and a factory AM/FM/CD stereo system. Includes Continental ControlContact 195/60R15 tires mounted on steel wheels with factory wheel covers.

Observed flaws include a cracked windshield, oxidation and hazing on the headlight lenses, paint chipping and peeling on the hood, rear panel, and door frames, rust accumulation along the roof gutter trim, a dent and scuffs on the rear bumper, and wear on the driver-side interior door handle and steering wheel wrap. Refer to photos and in-person inspection for condition.
Mileage 80271
Title Yes

United States Mercury dimes featuring various dates including 1917, 1935-S, 1939-P, and 1941-S. Each coin is housed in an individual paper and Mylar flip. Composed of 90 percent silver and 10 percent copper. Surface shows minor scuffs and toning consistent with age.

Two United States Walking Liberty half dollars featuring a 1944 issue and a 1943-S issue, both composed of 90 percent silver. Minor scuffs and toning consistent with age.

United States half dollar collection featuring Franklin and Kennedy designs with various mint marks and years. Composed of silver. Features surface toning, oxidation, and discoloration consistent with age and storage. Refer to photos and in-person inspection for condition.

Group of United States Washington Quarters featuring dates 1948-S, 1959-D, 1963-D, and 1964-D. Composed of 90 percent silver and 10 percent copper. Surface toning, tarnish, and minor scuffs consistent with age. Refer to photos and in-person inspection for condition.